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"Enamor" by Simon Claridge
Limited Edition Giclee on Fine Art Paper-
Matted with white matting
Signed and Numbered
Edition Size 195
Availability and Price Subject to Change
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SIMON CLARIDGE
Perhaps surprisingly given the simplicity and graphic nature of my finished works, I hardly ever know what they are going to look like when I start on them. The preparatory work is based in the sketchbook. This is where the formal reduction of the source material starts. It is a trial and error exercise based on experience and gut instinct. On an aesthetic level I want to create a formal relationship of abstract shapes and voids within the predetermined field of the canvas boundary. However this needs to be balanced with the emotive content I want the piece to convey.
This is the most challenging but exciting part of the process for me, as the final composition reveals it's self through the pencil marks. This basic composition is then transferred on to the canvas where invariably more changes are made. Before finally covering the canvas as quickly as possible with acrylic paint to ascertain the colours and tones I want. Once happy with these then the painstaking layers of paint are applied, the processes of building up the layers to achieve the completely flat finish is one that takes great patience, however ultimately brings the most satisfaction as the work starts takes on a life of its own. As I create the sharp lines on the canvas surface it starts to blur the lines between reality and fantasy.
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