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This aided ready-made in anchored in a personal as well as in a larger history of representation or, more precisely, of non-representation.
The employed dress form used to belong to a flesh-and-blood tailoress. She is totally unknown, and thus distant to me, and yet so near: she was the mother of my life partner, who died before I could meet her. As it is gilded, it is no longer functional as a working tool to become homage to this woman and, more generally, to millions of anonymous “little hands” who are rarely honoured by monuments in our culture.
More information about the artist and her work: www.zajac.ch
Contact: info@zajac.ch
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