Carlos Orduas work conveys the penetrating energy and enigmatic spirit of his native Mexico. Folkloric colors and sculptural rendering enliven personal themes that use the strength of the equestrian subject in unique fashion. Genre painting and portraits are also an important part of Orduas body of work. Uniting all of his themes are skilled paint handling and perceptive, strong draftsmanship. Carlos Ordua is born in Hidalgo, Mexico in 1946. Their first art studies carry out them very young at the beginning of the decade of the sixties in a dependent school of plastic arts of the National Institute of fine arts of Mexico, later on he realize collective exhibitions and deprived in diverse places like The French Alliance of Mexico, Esplanade of the National Auditory, Mexican Ciba-Geygi, etc. To principle of the 70's he knows the teacher Jorge Gonzlez Camarena, author of important murals, of which receives valuable teaching as well as an influence that Ordua reinterprets and it channels toward its creative restlessness looking for to find an own style that but he is ahead he goes manifesting gradually in its work. In the decade of the 80's the Mexican-American muralist Armando Campero shares with Ordua his knowledge in the work mural. For the nineties in a collective exhibition sells all their works to the Galera Nonita of Mexico and it travels to United States where he realize out several exhibitions and it places their works in galleries. Of the year 2000 to the current date, he has carried out several exhibitions in the gallery Jean Marc of the Angeles California, as well as others in municipal Los Angeles Art Gallery, Autonomous University of the State of Mexico, Inter-continental Hotel of Los Angeles, Salon of the Plastic Mexican, Hotel Aeropuerto Plaza of Mexico, Gallery Pedregal Royal, Gallery Pedregal Radisson, Law offices Gilbert Moret in Los Angeles, etc. It also collaborated in the design and part of the realization, jointly with the teacher Armando Campero, in San Fernando Court murals and Juvenile Sylmar Court in Los Angeles and he realized the mural of the leader of the workers, Csar Chavez
