'Substrate', 2009: The black asphalt is the perfect substrate for the geometric painting in contrast with the natural tree forms.
All materials, techniques and pigments used in producing this print adhere to museum conservation protocols. Signed frontally with title and copyright. Should a size, different from the one indicated above be desired we may come to a mutually determined pricing. All measurements are from image edge to opposing edge of the visual, this will include all art intended to be seen through the mat opening. Shipping and or insurance will be borne by purchaser. By obtaining this work you agree to all copyright statutes that apply.
A native of Baltimore, MD, Ive made N.Y.C. my home for more than half my life. I occupy a space between a world as it is, and one cloaked in personal aspirings of a world where the tension fraught relationship between Nature & humanity may evolve to one guided more by long-term possibilities of preservation, rather than a short-sighted possibility of profit. Contrasts of Nature & humanity often join forces in ways that are prophetic as to the conceptual gulf separating the two. These tensions are primary to my efforts at creating a visual discourse, one where what is, is matrix to possibilities of what might be. Visual formalities, and narrative content are not mutually exclusive, but form an osmotic linking of the two. While Nature & humanity form concerns primary to this presentation of works, some embrace subject matter beyond such issues.
