 |
Critique Subject |
 |
|
|
Created By |
|
|
|
|
Bob Dylan (1964)
No Message.
Lastest-- Of course, from the evidence of his recent inspired tour of the UK, he's not quite so frech faced and well preserved these days - but then neither am I!
david: )
|
Malner
|
1 |
> 2 years
by David_Baker |
Excellent Technique - It reminds me of the great
impressionist, John Russell Seurat. In creating Grande Jatte he possibly developed the "specklepoint technique," or what I have come to refer to as the "Seurat-tat-tat staccato" technique . . . . Edwa
Lastest-- I saw the Seurat masterwork in an exhibition entirely devoted to this single work in Chicago a couple of years ago, an amazing work with an amazing preparation period from the master of the paint spot
|
elongo1 elongo1 |
1 |
> 2 years
by David_Baker |
Bob Dylan (1964)
A wonderful contemporary impressionistic work David.
|
Migueltio Migueltio |
0 |
> 2 years |
A pensive and altogether captivating portrait David
How is it done?
Lastest-- To Trisha, it was done from an old acrylic stick sketch which I sold but retained a rather pale photograph. I scanned this in and added many of the colours, textures, highlights, etc digitally. I also
|
Trisha Trisha |
1 |
> 2 years
by David_Baker |
Just is just right, David.
See how everything connects at the base (bottom and sides)? Wish the Hendrix piece did something similar. Lee
|
lkaloidis lkaloidis |
0 |
> 2 years |
|
