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"As far as subject matter is concerned, I have always loved painting people, favouring glimpses of figures and anatomy. Even in the enormous, allegorical works of classical masters, I have always been drawn to confined areas of a piece - a spotlit area that reveals a rigid jaw line, or the twist in a turned neck. Often I like to have images remain that simple - paring down extraneous material to leave what feels ephemeral. Other times, I need more of a setting and the reward is in the discipline of being more representative. Ultimately what makes me work is that, despite all the wonderful breakthroughs and milestones I have experienced in painting over the years, I never feel that I have quite nailed it. There is always more to be done, as I think it is very difficult to measure what your potential is, only the gratification that you have not yet reached it."