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d'ART ID#: 132652
Length: 45.00 IN (114.30 cm)
Height: 30.00 IN (76.20 cm)
Depth: 0.00 IN (0.00 cm)
Framed: N
Year Created: 0
Media Types:
Canvas
Style & Subject:
Contemporary , Landscape , Other
Submitted by somerset2
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Rod Chase
City Lights
Rod Chase
Limited Edition Prints - US $2,000.00

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Seller Comments...
Code: RCH016GIAPR4530
Giclee on Canvas (Artist Proof)

"City Lights" by Rod Chase


Edition Number - 15

Signed and Numbered

Availability and Price Subject to Change
866-fine-art (866-346-3278) or EMAIL


The inspiration for City Lights began some time ago during a visit to New York in January. While in Manhattan for a showing of my paintings, friends of ours took Debbie and I to the roof of their apartment building for a bird's eye view of the city. It was after midnight and very cold. Snow was softly falling, and I remember the sky being lit up from the city lights reflecting off the low hanging clouds. It was an alluring scene and made an indelible impression on me.

The Chrysler Building, an art deco masterpiece built between 1928 and 1930, is one of New York's most iconic and beloved skyscrapers. It's at its best at dusk, when the stainless-steel spires glow, and at night, when its illuminated geometric design looks like the backdrop to a Hollywood musical. It is particularly magnificent viewed from ground level along Lexington Avenue.

ARTIST BIO
Rod Chase takes hundreds of photographs of each of his subjects, combining them with historical photographs, to produce a timeless quality in each of his works. "Being a photo-realist, I am dependent on finding accurate reference material for each painting," the artist explains. Chase works with acrylics on canvas spending hundreds of hours on each painting as he strives to present a fresh and unique view to familiar subjects.

Chase was born and raised in Canada after marrying a Texas girl, he moved to the United States. He and his wife, Debbie, have four children, who are home-schooled. The family recently moved from the Houston area to the Texas Hill Country.

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